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But the music here is slower-paced, introspective. Forever Mix is the second release from Kulør, the label run by fellow Danish artist Courtesy, following a compilation that introduced the city’s “fast techno” style. “Drømmen om Ø (Forever Mix ’19)” (the first part of the title translates to “The Dream of the Island”) is also a strange bird within Marott’s own Copenhagen techno scene. The record’s A-side, “Drømmen om Ø (Forever Mix ’19),” is a sumptuous, 14-minute mini-suite that lofts picturesque bird calls atop sleek drum pulse, rubbery acid synths, clattering Latin percussion, and other meticulously rendered subtleties. Yoshinori Mizutani’s cover photograph of vivid lime-green parakeets outside a drab urban building is ingeniously suited for Kasper Marott’s Forever Mix EP. Kasper Marott: “Drømmen om Ø (Forever Mix ’19)” It turns out the woman who built a career on fairy tales and scorched-earth breakup songs is just as deft with the simple and soulful. This is the stuff of real intimacy, of partnership, of creating a language and a life together. “Lover” features a classically swooning, Swiftian bridge-one designed to soundtrack wedding vows in renovated barns until the end of time-but its most penetrating lines depict the unglamorous stuff: telling dirty jokes, saving seats, deciding whether or not to drag out the air mattress for your college friends.
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How can you make sure a good thing lasts forever? Both songs are tributes to the dirty work that goes into keeping a relationship healthy, and they’re spiked with the fear and doubt people feel even when that work is paying off. With its rustic arrangement and domestic imagery, it sounds like a spiritual sequel to “New Year’s Day,” the acoustic cleansing that closes 2017’s divisive Reputation. “Lover,” the title track from her most recent blockbuster LP, is a reminder of how effortlessly she can translate specific gestures and moments into universal expressions of romance. backlot in Burbank, Calif.There’s room in Taylor Swift’s galaxy for celebrity warfare, veiled political commentary, and enthusiastic allyship, but her work is finest when it’s laser-focused on flawed, hopeful people making a connection. ET/PT from under the stars and outside on the Warner Bros.
YOUNG MA QUIET STORM GENIUS MOVIE
The 2016 MTV Movie Awards, hosted by Dwayne Johnson and Kevin Hart, airs on Sunday, April 10 at 8 p.m. Sandy Alouete is executive in Charge of Music Talent. Jim Roush is co-executive producer Wendy Plaut is co-executive producer and executive in charge of Celebrity Talent. The most exciting thing about Melissa is how brave she is, you don’t want to miss her moment in the show.”Īlongside Patterson, Garrett English and Jane Mun serve as executive producers for the 2016 MTV Movie Awards. “We love Melissa for her performances but she also writes, produces and directs comedy, so this award is incredibly well deserved. “Honoring Melissa McCarthy with ‘MTV’s Comedic Genius Award’ is exciting on so many levels, it’s the first time this award is going to a woman which is fantastic,” said awards show executive producer Casey Patterson. McCarthy had previously won MTV Movie Awards in “Best Comedic Performance” and “Best WTF Moment” categories for “Bridesmaids.”Īlso Read: 5 Reasons Why Melissa McCarthy's 'The Boss' Might Take Down 'Batman v Superman' Vincent,” “Spy,” “Identity Thief,” and “The Heat.” Her “Ghostbusters” remake comes out in July. The Oscar-nominated actress and writer started her career at the Groundlings Theatre before her breakout roles in “Bridesmaids” and CBS’ just-canceled “Mike & Molly.” McCarthy has also starred in “St. McCarthy, who stars in the Friday release “The Boss,” is set to become the first female recipient of the Comedic Genius Award at the MTV Movie Awards which air on Sunday. The hysterically funny Melissa McCarthy will officially be recognized as a “Comedic Genius” on Sunday.